- Ball and tail animation (it's a ball... with a tail! Bouncing and acting and squashing and stretching and S and C curves oh my.)
- Artist presentation (from what I gather we pick an artist to profile and give a presentation on them--sounds too simple. I suspect a trick.)
- Final storyboard project (yet to be assigned, called "Bird in the Hand". Suspecting more tricks.)
- Repeating panoramic background (with two characters included I believe).
- Two 9x12 juxtaposition background gouache paintings.
- Second life drawing portfolio!
- Bone drawings (9 views of vertebrae, 3 views of scapula, 4 views of pelvis, 4 views of skull, two views of arm and hand, two views of leg and foot--most of these are done already).
- Leica reel! 20-40 storyboard panels music, sound effects, camera moves, etc.
- Research paper on animal welfare legislation in Canada.
BRING IT ON!!
I've got my tonals finished for the dual paintings. I decided to go with Safety and Danger. I was going to go with Dead and Alive (zombies) versus Not Dead OR Alive (robots), but I had a dream last night showing these alternate environments and decided they were more interesting. Plus the first idea was kind of a joke. Kind of.
I also finished my expression sheet, which will be handed in tomorrow. Character Design is definitely my favourite class, and this was my favourite project so far. We had to do an animal character, and it had to be a gender I hadn't drawn yet, so it could have been annoying (not a fan of anthro characters, and I always prefer to draw guys), but I made it FUN, by making the most hideous pig lady ever. Well okay, she could easily have been more hideous. She's mildly hideous. Still fun.
And finally, I figured I would post this here, as I had requests for a copy. I wrote this Sheridan Ghost Story for my English presentation with Chelsea on whether or not hauntings were real. Everybody who screamed on cue was hilarious and amazing and made the whole thing go over really well. It was delightful.
A Sheridan Ghost Story
By Sarah Anne Davis
This story was told to us by faculty members who have requested to remain anonymous, for this story is so horrible—so gruesome—that it may in fact scare away any future students wishing to attend this once thought to be happy, peaceful school.
But Sheridan College has a dark past. A bloody past. A dark and bloody past full of darkness. And blood.
It was a long time ago. Too long now for most to recall, except perhaps Mark Thurman. A sweet young girl with massive aspirations wanted only to attend Sheridan College’s world-renowned animation program. Little did she know… her aspirations would end in tears. Bloody… scream-filled tears…
She worked on her portfolio into each and every dark and stormy night. Rotations and storyboards. Expression sheets and layouts. White piles of copy paper ran red with the blood of her endless devotion…
And then, Portfolio Day.
Her rotations wouldn’t rotate! Inconsistent lines and weights!
Her characters were emotionless and dull! Not enough angles!
Her compositions were generic!
Life drawing lifeless!
What happened to the second action pose!? Pose… pose…
…
…
…
Transfer to Art Fundamentals.
(EVERYONE SCREAMS.)
Dreams crushed, the girl went insane. Picking up a deadly camera tripod, a murderous rampage ensued. She destroyed her competition, one by one, until she made it to the top of the waiting list. But it was too late.
In her madness and despair, the girl staggered to the nearest Trafalgar crosswalk and was killed by the unstoppable force of fifty old people in Buicks.
It is said that the girl’s tortured spirit plummeted to the farthest depths of hell, wherein she pleaded with the devil himself to spare her… to send her back to the school she so longed for.
A deal with the devil was made, and in the midst of cackling laughter her spirit was sent back. But her fate was sealed. Her punishment far more gruesome than her crime. Each day, every day, her spirit would cling to the halls… repeating Art Fundamentals for all eternity.
(EVERYBODY SCREAMS.)
To this day she can still be seen drifting through the A wing, withholding vending machine snacks, knocking over stools, and leaving unwanted invitations to pub nights in every locker. If you listen carefully, you can still hear her pencil tearing away at each new sheet of paper, so desperately trying to break free of her cruel purgatory, to one day see the light boxes at the end of the tunnel and pass into the next world…